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On the migrant route in Macedonia (World 2016, by Olivier Vogelsang) - Swiss Press Award

Macedonia. Gevgelija, September 2015. Another stop on the Balkan route for these Afghan refugees as they return to the Macedonian transit camp not far from Gevgelija, a town on the border with Greece. A look of astonishment on the child's face as soon as they cross the gates of the Macedonian camp.
Olivier Vogelsang
Macedonia. Gevgelija, September 2015. Another stop on the Balkan route for these Afghan refugees as they return to the Macedonian transit camp not far from Gevgelija, a town on the border with Greece. A look of astonishment on the child's face as soon as they cross the gates of the Macedonian camp.
Photo / World
2016

On the migrant route in Macedonia

Olivier Vogelsang

Macedonia. Gevgelija, September 2015. A new stop on the Balkan route for migrants after crossing the Greek border. The flow is uninterrupted, and the Macedonian army and police are trying to control their passage by parking the new arrivals in a transit camp while they wait to receive their exit papers from the country.

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On the migrant route in Macedonia

Tribune de Genève

Photo / World
2016

Olivier Vogelsang

Macedonia. Gevgelija, September 2015. A new stop on the Balkan route for migrants after crossing the Greek border. The flow is uninterrupted, and the Macedonian army and police are trying to control their passage by parking the new arrivals in a transit camp while they wait to receive their exit papers from the country.

Author
Olivier Vogelsang / Swiss Press Award

Olivier Vogelsang

Photographe, Genève, 1966

Né à Genève, Olivier Vogelsang est photographe documentaire. Après avoir travaillé pour la presse quotidienne, il devient photographe indépendant et collabore à mi-temps avec la presse syndicale. Ses travaux, réalisés en Suisse et à l’international, ont été récompensés à plusieurs reprises, notamment par sept premiers prix du Swiss Press Award, ainsi que par le prix Nicolas Bouvier. Parallèlement à ses activités pour la presse et les institutions, il développe des ouvrages photographiques au long cours, dont Switzerlanders (2012), Grand-messe (2017) et Fractures (2018).

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